Curatorial and Artist's Statement

Personal Statement

It is not necessarily the strongest of the species that survives, nor the most intelligent, but the species that is most responsive to change.”
- Charles Darwin


Anatomical Origins
is the culmination of work more than eight years in the making. It is the footprint of the many highs and many lows of attempting a childhood dream as a profession. It represents years of struggle, passion, dedication, perseverance, stubbornness, naivety, personal growth and learning, and above all - the love for the quest of understanding human origins.

This is the most important story for us to understand. We grapple with it daily. Our views on the subject define the moves we make day and night. It informs our system of beliefs and values. I am beyond fascinated that we have evolved from tiny, weak, and physically defenseless creatures into planet shaping beings capable of such beauty and equal horror.

Still, we somehow find the will and desperation to survive against all odds. Only recently aware this drive comes from a deep-rooted genetic struggle to replicate at any cost.

We have emerged from this cycle with the ability to decode the universe around and within us. We descend directly from the universe. The way we maintain and value our bodies, relationships, homes, communities, countries and home world is a direct reflection of this collective understanding. This comprehension stems from how we understand and value our origins. We need a common global origin view to move forward together.

A common origin is a common thread. It is an appreciation of the fact that we are all the same biological meat suit with different ideas about how we came to be on this rock. This is at the heart of what fundamentally divides cultures and people. Mother Earth has held immortal secrets under her skin all this time. We now have the tools and technology to listen, see, touch, taste and feel all the truths that deliver us into this moment together. People from all over the world can experience the same data coming to a consensus thus informing our paradigm of reality.

At the end of this chain of thought emerges a meaning and purpose to human beings. Until Homo sapiens, this part of the universe had no music. It had no art. It had not enjoyed the warmth of love or the fear of fear. It never suffered nor did it hope. It had no history. It had no war. It knew of no peace. It never wrote a word about what it thought or feared. It was timeless. It never had a self.

It does now. This is our role. We are the voice of the universe – at least in this part of it. We are the universe becoming aware of itself every passing earth day. On this little, blue piece of art known as home, we press on in the dance of the cosmos with the certainty of our demise making every moment alive the heaven or hell we choose it to be. How can this not fascinate me?

How can this not fascinate you? My PURPOSE is to bring as much of this to life and to anyone as I can possibly muster. Science, art and technology are my tools. I use them to illustrate my understanding of the tangible world held in the fossil record. I love to reconstruct fossil humans. It offers me a moment to look into the eyes of our past. This haunts me to my core – a vision of a world so lost from memory that we can only look to the grave for its answers.

I wish I could move through time. Since I cannot (yet) I will do all I can to be the voice of these immortal beings in the world of the present.

–Viktor Deak    

 

Curatorial Statement  

Anatomical Origins  features world-renowned paleoartist Viktor Deak. This exhibition offers us depth insights into the theory of evolution through the lens of a master sculptor and illustrator. Deak has created work for National Geographic TV, Nova, and BBC Documentaries, as well as many major publications including Scientific American, The New York Times, and Discover Magazine making him one of the most sought after experts in his field.  His work can be visited at natural history museums across the world including here in New York City at the American Museum of Natural History.  Through the use of various mediums, viewers can enjoy a photorealistic journey through the origins of our species.

Anatomical Origins  showcases a wide range of mediums in both two-dimensional and three-dimensional forms.  Viktor’s three-dimensional work showcases the process of fossil reconstructions that have been built by creating a muscle tissue underlay, simulated skin, glass eyes, makeup and even hair.   The result is an incredibly hyper realistic and anatomically accurate set of sculptures that allow us to see the faces of our ancestors.  In combination with these sculptures, Mr. Deak’s two dimensional mural collection shows in great detail and beauty, our ancestral roots and the environments’ that they lived in.

Mr. Deak’s mastery of his art provides us with a portal into the past, using his work to bridge Art and technology with scientific discovery.  His training as an illustrator has been leveraged to create deep and compelling narratives that imbue viewers with deeper insights to our ancestral history and promote philosophical dialogue in the fields of art, science and religion. 


 - Max Hergenrother

Max Hergenrother lives and works in New York City, providing quality commissioned Illustration and graphic art solutions for various print, web, and video related companies.  He is also an Assistant Adjunct Professor at St. John's University and an Art Instructor at the Nassau County Museum of Arts.