Engaging Vernacular Englishes: Paradoxes, Pedagogy, and
Possibilities.
With Shondel Nero. Under contract at Routledge.
“The One and the Many in The Moor’s Last
Sigh.”
Critical Insights: Salman Rushdie, ed. Bernard Rogers.
Pasadena: Salem Press, 2012.
“Productive Paradoxes: Vernacular Use in the Teaching
of Composition and Literature.”
With Shondel Nero. Pedagogy Volume 12, Number 1 (2012):
69-95.
“Conjunctions, Mostly.”
Journal of Postcolonial WritingVolume 47, Number 2 (2011):
227.
Landscapes of Hope: Anti-Colonial Utopianism in the
United States.
New York: Oxford University Press, 2009.
“Not Yet Beyond the Veil: Muslim Women in American Popular
Literature.”
Social Text99 Volume 27, Number 2 (2009):
105-131.
“The Home, the World, and the United States: Young India’s
Tagore.”
Journal of Commonwealth Literature Volume 43, Number 1
(2008): 23-41.
Editor, Rotten English: A Literary Anthology. New
York: W. W. Norton, 2007.
“‘This Fundo Stuff is Really Something New’: Fundamentalism and
Hybridity in The Moor’s Last Sigh.” Yale Journal of
Criticism Volume 18, Number 1 (2005): 1-20.
Editor, with Iftikhar Ahmad, Zulfiqar Ahmad and Zia
Mian, Between Past and Future: Selected Writings on South
Asia by Eqbal Ahmad.
Karachi: Oxford University Press Pakistan, 2004.
“‘More than Romance’: Genre and Geography in Du Bois’ Dark
Princess.”
English Literary History Volume 69, Number 3 (2002):
775-803.
“Brushing up on Multiculturalism: A Review of Zadie Smith’s White
Teeth.”
SAMAR: South Asian Magazine of Action and Reflection
(Fall/Winter 2001).