Books
Gallery
Exhibition
“Lost at Sea: The Ocean in the English
Imagination, 1550 – 1750.” Folger Shakespeare
Library. Washington,
DC. June 10 –
September 4, 2010.
www.folger.edu/lostatsea
Books
At the Bottom of Shakespeare’s
Ocean. London: Continuum Press,
2009.
Romance for Sale in Early Modern England:
The Rise of Prose Fiction.
Aldershot, UK: Ashgate Publishing,
2006.
Nominated for the Phyllis Goodheart
Gordon Book Prize, Renaissance Society of America, 2007.
Rogues and Early Modern English
Culture, eds. Craig Dionne
and Steve Mentz.
Ann Arbor: University of Michigan Press, 2004. Paperback 2nd
ed. 2006.
Articles
“Strange Weather in King Lear.” Shakespeare 6:2 (2010): 139-52.
“Toward a Blue Cultural Studies: The Sea,
Maritime Culture, and Early Modern English Literature.” Literature Compass 6:5
(2009): 997-1013.
(Solicited article)
“Shipwreck and Ecology: Toward a Unifying
Theory of Shakespeare and Romance.” International
Shakespeare Yearbook 8 (2008) 165-82. (Solicited essay)
“Escaping Italy: From
Novella to Romance in Gascoigne and Lyly.” Studies in
Philology, 101:2 (Spring 2004) 253-71.
“Reason, Faith, and Shipwreck in Sidney’s
New Arcadia.” Studies in English Literature
44:1 (Winter
2004): 1-18.
“The Heroine as Courtesan:
Dishonesty, Romance, and the Sense of an Ending in The Unfortunate
Traveler.” Studies in
Philology 98 (2001): 339-58.
“Wearing Greene: Autolycus, Robert Greene,
and the Structure of Romance in The
Winter’s Tale.” Renaissance Drama 30
(1999-2001): 73-92.
“Selling Sidney: William
Ponsonby, Thomas Nashe, and the Boundaries of Elizabethan Print
and Manuscript
Cultures.” TEXT 13
(2000): 151-74.
Book Chapters
“Jack and the City: The Unfortunate Traveler,
Tudor London, and Literary History.” Blackwell Encyclopedia of Tudor
Literature. Kent
Cartwright, ed.
London:
Blackwell, 2010: 489-503.
“’A Note Beyond Your Reach’: Prose
Romance’s Rivalry with Elizabethan Drama.” “Border Crossings in Early
Modern Romance: Plays, Prose Fiction, and Shakespeare.” Mary Ellen
Lamb and Valerie
Wayne, eds. London:
Routledge, 2008: 75-90.
“Forming Greene: Theorizing the Early
Modern Author in the Groatsworth of
Wit.” Writing Robert Greene: Essays on
England’s First Notorious Professional
Writer, eds. Kirk Melinkoff and Ed Gieskes. (Aldershot, UK: Ashgate
Publishing, 2008)
115-31.
“Day Labor: Thomas Nashe and the Practice
of Prose in Early Modern England.” Early Modern Prose Fiction:
The Cultural Politics of Reading, ed. Naomi Leibler.
(London: Routledge, 2007) 18-32.
“Revising the Sources: Novella, Romance,
and the Meanings of Fiction in All’s Well that Ends Well.” All’s Well that Ends Well: New
Critical Essays, ed. Gary Waller. (London: Routledge,
2007).
“The Ínsula at the End: Sancho’s
Governorship and the Sense of Two Endings in the Novel.” The Impact of Don Quixote (1605-2005) on the Culture of
the Modern and Postmodern World, ed. Carlos Arborleda. (New Haven: Southern CT
State University Press, 2006) 170-84.
“Magic Books: Cony-Catching and the Romance
of Early Modern London.” Rogues and Early Modern English Culture. Craig Dionne and Steve
Mentz, eds. (Ann Arbor:
University of Michigan Press, 2004): 240-58
“Rogues and Early Modern English
Culture.” Introduction
to Rogues and Early
Modern English Culture, eds. Craig Dionne and Steve
Mentz, (Ann Arbor: University of
Michigan Press, 2004) 1-29. Co-authored with Craig
Dionne.
“The Thigh and the Sword: Gender, Genre,
and Sexy Dressing in Sidney’s New Arcadia.” Prose Fiction and Early Modern
Sexualities. Constance Relihan and Goran
Stanivukovic, eds.
(New York:
Palgrave, 2003) 77-91.
“The Fiend Gives Friendly Counsel:
Launcelot Gobbo and Polyglot Economics in The
Merchant of Venice.” Shakespeare and the Age of
Money. Linda
Woodbridge,
ed. (New York:
Palgrave, 2003) 177-88.
Book reviews
Regina Schneider, Sidney’s (Re)Writing of the
“Arcadia.” Renaissance Quarterly 61: 1
(Spring 2009): 315-17.
Richard Helgerson, A Sonnet from Carthage:
Garcilaso de la Vega and the New Poetry of Sixteenth- Century
Europe. Early Modern Literary
Studies 14:2 (September 2008): http://extra.shu.ac.uk/emls/14-2/revhelge.html.
Alan Sinfield, Shakespeare, Authority,
Sexuality: Unfinished Business in Cultural Materialism. Renaissance Quarterly 60: 2
(Summer 2007) 669-70.
David Quint, Cervantes’ Novel of Modern
Times: A New Reading of Don Quijote (Princeton:
Princeton
University Press, 2003). St. John’s Humanities
Review, 2006.
Alexander Leggatt, Shakespeare’s Tragedies:
Violation and Identity(Cambridge:Cambridge University Press,
2005). Sixteenth-Century Journal,
forthcoming 2006.
Derek Alwes, Sons and Authors in Elizabethan
England (Newark: University of Delaware Press, 2004). Early Modern Literary
Studies 10:3 (2005): http://www.shu.ac.uk/emls/10-3/revmentz.html.
Bryan Reynolds, Becoming Criminal: Transversal
Performance and Cultural Dissidence in Early Modern
England
(Baltimore: Johns Hopkins University Press, 2002), Clio: A Journal of Literature,
History, and the
Philosophy of History 33:1 (2003): 73-77.
Barnebe Riche, His Farewell to Military
Profession, Donald Beecher, ed., (Ottawa: Dovehouse
Editions, 1992), Shakespeare Newsletter 50:4
(Winter 2000-1): 95, 108.
Adrian Johns, The Nature of the Book: Print
and Knowledge in the Making (Chicago: University of Chicago Press, 1998), Journal of Interdisciplinary
History 30
(2000): 636-37.
Theater Reviews
As You Like It, Measure for
Measure, and The Tempest. Shakespeare Bulletin 28:4
(Winter 2010) 491-96.
Women Beware Women, The Winter’s
Tale, and The Merchant of
Venice. Shakespeare Bulletin
27:4
(Winter 2009) 668-81.
“The King is a Thing: Shakespeare in New
York City, 2007.” Shakespeare Bulletin 26:2
(Summer 2008)
149-66. (Review
article)
Twelfth Night. Directed by Edward Hall for
Propeller. Shakespeare Bulletin 25.4
(Winter 2007) 141-3.
The Taming of the Shrew. Directed by Beverly Bullock
for ShakespeareNYC. Shakespeare Bulletin 25.2
(Summer 2007)
49-51.
The Revenger’s Tragedy. Directed by Jesse Berger
for The Red Bull Theater. Shakespeare Bulletin
24.3 (Fall 2006) 100-3.
Review Essays
Early Modern Rogue Scholarship. Shakespeare Newsletter 53:1
(Spring 2003): 9, 16.