Books
Being with a Bullet, Talisman, forthcoming 2007.
Liquid Totems: Holocaust, Computer, and Suburb, manuscript
in progress.
Secular Jewish Culture/Radical Poetic Practice, edited
manuscript under consideration by University of Alabama
Press.
Skinny Eighth Avenue, Marsh Hawk Press, 2005 [reviewed in American
Book Review, Boston Review, Publisher’s Weekly, Brooklyn Rail,
Galatea Resurrects: A Poetry Review, Midwest Book Review, Paterson
Review, Constant Critic].
The Bee Flies in May, Marsh Hawk Press, 2002 [reviewed in
Sidereality, Home Planet News. Muse, Book/Mark].
The Scene of Our Selves: New Work on New York School Poetry,
co-edited with Terence Diggory, University of Maine: National
Poetry Foundation, 2000 [reviewed in Contemporary Literature, Rain
Taxi, American Book Review].
The Seventies Now: Culture and Surveillance, Duke University
Press, Durham, N.C., 1999 [reviewed in American Literature, San
Francisco Chronicle. The Utne Reader, Rethinking History,
Bookforum, Muse, Book/Mark, Long Island Voice, European Journal of
American Culture, American Literary Scholarship, Postmodern
Culture, Choice, Journal of American History, Modern Fiction
Studies].
Art Is Boring for the Same Reason We Stayed in Vietnam, Domestic
Press, 1992 [reviewed in St. Mark’s Poetry Project
Newsletter].
Poetry Broadside
Nowhere to Go, Backwoods Broadsides, 2004
Essays
“John Ashbery and Narratology: The Story is the Telling,”
accepted for Poetry and Narrative. Steven Schneider, editor.
Forthcoming 2007. Farleigh Dickinson University Press.
“David Shapiro and Jasper Johns: The Ego in the Egoless Pie,”
accepted for David Shapiro: A Critical Anthology. Joseph Lease,
editor. Forthcoming 2007. Farleigh Dickinson University Press.
“Allen Grossman and the Metaphor of the Computer in Post-World
War II America.” Sagatrieb. Volume 19, no. 1, 2005.
“Allen Grossman and the Metaphor of the Computer in Post-World
War II America.” Poetry’s Poet: Essays on the Poetry, Pedagogy, and
Poetics of Allen Grossman. Daniel Morris, editor. National Poetry
Foundation, 2005.
“Berrigan’s Legacy: Sparrow, Myles, and Holman,” in The World in
Time and Space:towards a History of Innovative American Poetry in
Our Time, edited by Edward Foster and Joseph Donahue. Talisman: A
Journal of Contemprary Poetry and Poetics #23-#26. Talisman House
Publishers, Inc., Jersey City, N.J. 2002, pages 217-230.
“Elevated Tracks: The Films of Ray Davies," in Living on a Thin
Line: Crossing Aesthetic Borders with the Kinks, edited by Thomas
Kitts and Michael Kraus, Rock and Roll Research Press, Rumford,
R.I., 2002, pages 143-157.
“Foreword: Stephen Paul Miller and Thomas Fink: An
Exchange,” introduction for Gossip, Thomas Fink, Marsh Hawk Press,
2001, pages 8-22.
“O’Hara, Judd, and Cold War Accommodation: Perceptions
Equalizing Ground and Figure,” Scene of My Selves: New Work
on New York School Poetry, Terence Diggory and Stephen Paul Miller,
editors, 2000, National Poetry Foundation, pages 175-186.
“Introduction,” Scene of My Selves: New Work on New York
School Poetry, Terence Diggory and Stephen Paul Miller, editors,
2000, National Poetry Foundation, pages 1-9.
“Scrutinizing Maria Mazziotti Gillan,” VIA (Voices of Italian
America), spring 1999, pages 56-62.
“Bringing Schwerner Back Home,” Talisman, #19, winter 1998/99,
pages 109-111.
“The Ever New Nixon,” American Studies, the Journal of the
American Studies Center at the University of Warsaw, 1998, Volume
XVI, pages 79-89.
“O’Hara, Judd, and the Cuban Missile Crisis,” Belarussian
Association of American Studies Yearbook, 1998, pages 64-75.
“On Unsettling America: Rethinking Multicultural Paradigms”
number 16, Fall 1996. Talisman. pp. 87-91.
“On Translating Polish for the First Time,” Przekladaniec, 1996,
number 2, pp. 101-103.
“‘Self-Portrait in a Convex Mirror,’ the Watergate Affair, and
Jasper Johns’s Crosshatch Paintings: Surveillance and
Reality-Testing in the Mid-Seventies,” boundary 2, pp. 84-115,
1995, Volume 20, Number 2, Summer 1993.
“America in the Seventies: Reflections on Five Films,” St.
John’s University Alumni Quarterly, Fall 1993, pp. 5-9.
“Ashbery’s Influence: “A Wall” and “New York, 1974” American
Letters & Commentary, Winter 1992, number four, pages
36-46.
“Assertions of Power,” Downtown, issue number 195, May 23, 1990,
pages 1, 14.
“Mirror’s Backing as a Major Trope for the Year 1974,” The
Staten Island Review, Fall/Winter, 1986-1987: pp. 60-68.
“American Identities: Stevens’s ‘An Ordinary Evening in New
Haven’ and Ashbery’s ‘Self-Portrait in a Convex Mirror’ in the
Light of Wallace’” in New Developments in English and American
Studies: Continuity and Change, edited by Zygmunt Mazur and
Teresa Bela, Jagiellonian University Press, 1998, pp. 367-377.
“Performing Quotations: Frank Zappa as Freak Out’ Aphorist,” in
The Frank Zappa Companion: Four Decades of Commentary, edited by
Richard Kostelanetz, Schrimer Books, an imprint of Simon &
Schuster Macmillan, 1997, pp. 125-130.
“Periodizing Ashbery and His Influence,” The Tribe of
John: John Ashbery and Contemporary Poetry, edited by Susan
Schultz, The University of Alabama Press, pp. 146-167, 1995.
Poems
“Dunk,” Lit, forthcoming.
“Pancakes,” Another Chicago Magazine, forthcoming.
“Eruch Jessawala Says,” Black Clock, forthcoming.
“Mike,” “Tonight,” “Notes on a Song,” ”Choicest Blessings,”
“Automotive.”Paterson Review. forthcoming.
“I’m Trying to Get My Phony Baloney Ideas about Metamodernism
into a Poem.” Logos: a Journal of Modern Society and Culture. Fall
2005.
“Potato Chip.” Echolocation. #4, November 2005, page 33.
From Huricanes (poems written with Denise Duhamel): “B-Boy,”
“George,” “W.,” “Bush,”“Desperate Young Americans,” “If RFK Had
Become President,” (for Norman MacAfee).” Jacket. April 2006, #
29.
“Walt Elias Disney” (poem written with Denise Duhamel). Mangrove
Review. #14, 2005, page 81.
“Photo Post” and “Linda Francis,” Sidereality, "volume 3, issue
2, (April-June 2004).
“Iraq Iran the Clock” and “George Whatever Bush, or It’s in the
Bagh, Dad,” Long Shot (Spring 2004).
“Cake, Book, and Candle," Shofar: an Interdisciplinary Journal
of Jewish Studies, vol. 21, no.1, Fall 2002, page 84.
“Cage,” Boog City, 2001.
"Pie," Another Chicago Magazine, 2000, no. 37, page 31.
"Washy," "Theater," Controlled Burn, Volume VI, Winter 2000,
pages 50-53.
“Portrait of My Ex-Mayor Guiliani,” Poetry in Performance,
Spring 2000, no. 28, page 160-61.
“Shy,” Paterson Review, 1999, no. 29, pages 40-47.
“Poem for Noah,”The New Journal, 1998.
“Hairline,” Poetry New York, Spring 1997, no. 9, pp. 111.
“Tape Gap,”Open City, 1996, number 4, p. 162.
“Valentino,” Mudfish, Spring 1995, number 8, page 151.
“Squash Omelette,” Talisman, Fall 1994, no. 13, page 271.
“Unabstracted,” (co-written with John Cage), Poetry New York,
Winter 1994, no. 7, page 65-66.
“I Was on a Golf Course the Day John Cage Died of a Stroke,” The
Best American Poetry 1994, edited by A.R. Ammons, published by
Simon and Schuster, 1994, pp. 133-135.
“Dr. Shy,” Literature Around the Globe, (textbook) edited by
Tazyline Jita Allan and Thomas Fink, published by Kendall/ Hunt,
1994, pp. 154-159.
“People,” Appearances, 1994.
“All Visual Materials Emit Countless Cartoon Bubbles,” Talisman,
A Journal of Contemporary Poetry and Poetics, no. 11, Fall 1993,
pp. 138-141.
“Chance,”The Poetry Project, St. Mark’s Poetry Project
Newsletter, October/November 1993, p. 19.
“I Was On a Golf Course The Day John Cage Died.” Poetry New
York, A Journal of Poetry and Translation, No. 5, Winter
1992/Spring 1993, p. 12/
“Seven Poems,” Tamarind, December 1992.
“Ralph Kramden Emerson Tonight,” Talisman, Spring 1992.
“Velvet Rocks,” Body Double, A La Mama La Galleria Publication,
1992, p. 7.
“Sing Like Stephen Miller,” St. Mark’s Poetry Project
Newsletter, May 1992.
“Cutty” and “The Content in a Joke Is its Defense Mechanism,”
Scripsi, Spring 1987.
“Motive,” B-City, Spring. 1986.
Reviews
“The Last Avant Garde: the Next Generation.” Review of Ron
Padgett’s Joe: A Memoir in American Book Review, spring 2005.
“Subatomic Woman in Black.” Review of Maria Mazziotti Gillan’s
Italian Women in Black, in Voices in Italian Americana winter
2005.
“Hyper City Poet,” in American Book Review, Review of Hazel
Smith’s Frank O’Hara: Hyper-Poet Volume 24, Number
1.
“What Happens to Me: Hyper-Entanglements,” American Book
Review, Volume 23, Number November/December 2001, page 30.
“Human Rights,” Religion and the Arts, Vol. 3, Nos. 3-4, pages
481-83. Winter 1999.
“Modernism and the Other in Stevens, Frost and Moore,” The
Wallace Stevens Journal, Volume 21, Number 1, Spring 1997,
pp. 108-111.
“Exigent Lyricism,” Cover, April 1995, p. 18.
“Pluralist Eminence,” Cover, Winter 1993, p. 18.
“Dick Higgins’s Brown Paintings,” St. Mark’s Poetry Project
Newsletter, January 1992, page 17.
“Poetry Project Symposium ’91: The Innovations are
Welcomed,” Downtown. May 29, 1991, number 246, page 21.
Interview
“Interveiw with Stephen Paul Miller.” E-X-C-H-A-N-G-E-V-A-L-U-E,
Oct. 2005.
Art Catalog Essays
“Molly Mason: Sun And Shadow,” Michener Art Museum, Bucks County,
Pa., 1999, p. 1.
Dana Gordon, Paintings 1992, 55 Mercer Gallery, January 1993,
Essay: “New Pictorial Environments,” 55 Mercer Gallery, NYC, pp.
1-3.